THE REJECTION LETTER THAT DESTROYS THE WORLD

by William Markly O'Neal

NOVEMBER 2008 #15
   

 

"You should write a novel," says the reporter, with just a hint of a smirk.
Albert is instantly reminded of the only woman who ever loved him: Mrs. Edna English. He thinks about how his cross-eyed English teacher once told him he had creative talent.
"And she would know," he tells himself. "Mrs. English was a trained English teacher."
He finally knows what he was meant to do with his life. The next day, he buys a typewriter and a ream of paper.
Albert Albert sets out to write the Great American Novel. He decides to write a children's story, since he fondly remembers the decade he was three-years-old. He decides it should be science fiction, since he knows a lot about that. And he decides he's going to write about something that matters to him.
He narrows it down to two possible subjects -- either the destructive effects of bigotry over the centuries on both individuals and the culture -- or peas.
Eventually, after a lot of soul-searching, he decides to write about peas.
Meanwhile, in his spare time, Albert begins to apply for things. After being rejected by God, he naïvely believes no rejection will ever hurt again. He applies for credit cards and government grants. He fills out loan applications and applications for Book of the Month Clubs. He goes to the nearest recruiting station and is officially rejected by the United States military -- all branches of it.
He's not allowed in the YMCA, let alone any country clubs or health clubs.
At the best churches, he's asked to leave. At the worst ones, the preachers don't wait until he's gone to denounce him as Satanic.
On No Refusal Fridays, when the D.J. at his favorite radio station claims to refuse no requests, Albert knows he's a liar.
He watches a lot of television, even though he only receives one channel with his lousy rooftop antenna. He's been turned down by The Dish Network, Direct TV, and the sole cable provider monopolizing the area, Comcast.
He can't get a newspaper delivered to his house. He doesn't have a telephone number.
The only thing he ever gets in the mail are bills. He doesn't even get any junk mail, let alone the coupons everybody else in town gets.
He loves watching Oprah but when he writes her to get tickets to be in her studio audience, even she rejects him.
It's so bad, when a circus comes to town and a Freaks Wanted ad appears in the local newspaper, Albert isn't even accepted for that.
And yet, through it all, he keeps remembering Mrs. English's B- of love and remains confident in his writing ability. At the peak of his productivity, he's spending fifteen hours a day at the typewriter.
Finally, after almost a year, just as his money is running out, Albert completes his Great American Children's Science Fiction Novel, a 34,000-page masterpiece he entitles, War and Peas.
Confident he's about to embark on an exciting new career, Albert prints out six copies of his book, all riddled with misspellings, typos, and formatted in a way that's downright blasphemous. While he fondly remembers Mrs. English's encouraging words, he recalls nothing she tried to teach him about basic grammar.
Sending out the epic masterpiece to six of the most prominent publishers in New York City costs Albert $886.86 in postage.
That night, Albert celebrates by drinking champagne for the first time (which he discovers he absolutely loathes). With his novel in the mail, he kicks back in his apartment and waits to become rich and famous.

******

It's Friday the 13th. It's been barely two weeks since Albert sent out his novel. Today in the mail, he receives back all six of his self-addressed envelopes.
All six on the same day! Albert thinks that's a good sign. At least one of these letters must be an acceptance letter.
Albert opens the first envelope and takes out the form letter from a prominent publisher.
Under the fancy letterhead is the following . . .

***We have given careful consideration to your work and regret we can not publish it.
We wish you all the best as a writer.***

"Hm," he says. "That was awfully curt." He burps, feeling suddenly quite bloated.
He wads up the rejection letter and tosses it over his shoulder.
He opens the second letter, which is handwritten on plain white stationary. It reads . . .

***Nice try, Sid, but that joke name gave you away.
Albert Albert, huh? Good one.
You can bet your ass we won't be wasting our time reading this crap.
But thanks for the paper to recycle. We're Green around here, you know?***

It's signed, Not That Gullible.
Albert feels like he just pigged out on spicy Szechuan food at an All-You-Can-Eat Chinese buffet. Heartburn flowers in his chest.
He opens the third letter, from an even more prominent publisher than the first two.
Under a colored letterhead is another form letter.

***After carefully reviewing your submission, War and Peas, we have decided we are not the right publisher for your work.***

A handwritten addition has been added. . . .

***Please don't send us anything ever again!!!***

Albert's chest is tight and hot. For the next two minutes, he gasps for air. When he realizes he might be hyperventilating, he has cause to regret telling the grocery clerk "plastic" instead of "paper."
Tossing the third rejection letter aside, he opens the fourth.
This one is a form letter with a twist. For a small investment of only $59.99, he can purchase a book entitled How To Sell Even The Worst Novel, which is described as "guidelines every would-be author needs in today's highly competitive fiction market."
Sweating profusely now, his heartbeat pounding painfully behind his forehead, Albert's entire body begins to shake.
The fifth letter isn't a form letter. Under the letterhead of a revered publishing company is typed is the following,

***Mr. Albert Albert (or whatever your true name is),
Regrettably, we received your manuscript entitled War And Peas.
We are not certain if you meant this as a practical joke, an act of terrorism, or if you are so sadly demented that you actually believe this is in any way publishable, or even legible.
To be more clear: this novel is an abomination. It is literary disease. We didn't just dispose of our copy, we incinerated it, doused it with holy water, then incinerated it again. If there were a surgical procedure we could undergo to have the memory of this dreadful thing removed from our minds, we would do so without reservation, even at great peril to our lives.
We have considered suing you for sending this to us but we have been told by our legal department that we may not have a case, since our website calls for Open Submissions. We are, however, confident we can get a restraining order against you.
Do not EVER send us any more of your writing!
Our attorneys will be contacting you. Please direct all further correspondence exclusively through them!***

He tosses away the fifth rejection, trembling violently. Wisps of smoke waft out of his ears and nostrils. His face is as red as a radish. Blood vessels are strained almost to the point of popping. Drool hangs from his sputtering lips.
Albert Albert has reached his limit.
This is even worse than being killed by lightning.
He can swallow no more rejection.
The sixth letter has the fanciest letterhead of them all.
It reads,

***Don't give up your day job!
You're a no-talent hack.
WAR AND PEAS STINKS!***

"No-talent?" he whines, his dreams collapsing around him in ruins.
Albert moans, "Mrs. English was wrong! I can't write!"
If this final rejection had been softened with some constructive criticism, it might not be so devastating. As it is, he is hurt worse than when he was rejected by God.
Albert takes it in, eating this rejection like all the others . . . but this isn't like all the others.
This is the Rejection Letter that Destroys the World.

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