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Robin
is gone two weeks later. She leaves pretty much the same way she
came—in the darkness, with an Armageddon of sound assaulting
the air all around her. Only this time it’s not Robin who
is indulging in the noise—it’s me. Laying under the
van (I can’t call it an ambulance anymore because I haven’t
“saved” anyone in months) with the muffler and exhaust
system in rusty twisted heaps around me. It’s me—with
the engine running, the muffler disconnected, and my head wedged
way up underneath where the exhaust manifold yawns open. Unbridled
aggression from those pistons screams out through the block of
the engine and right into my face, my greasy face crushed against
the left frame rail, taking the pain just so my right ear can
inch closer to the source.
That’s
about where I figure I am when she leaves but I’m not sure.
What I do know is that the few things she’s been keeping
at my place are gone when I come back inside—with my head
wrapped in my shirt. Pushing too far I had mashed the side of
my face up against the engine block and gotten a nice blistering
burn from my temple down to my chin. I can feel the skin popping
and bubbling, oozing into the greasy shirt pressed against my
cheek. A small price to pay really, because I also have that great
sense of total vibration about me. The one I only get when I hit
a real good sound and hold it.
The
one that starts to wear off about the same time as I’m trying
to peel the shirt off my scorched skin—first with my hands,
then with the edge of a plastic spatula. By this point I really
can’t feel that entire half of my face so it’s OK.
It’s like operating on a dummy. I finally pry the shirt
out and head to the bathroom to check the damage.
Not
pretty.
The
entire right side of my face is black—I can’t tell
what’s grease and what’s torched skin though. I poke
around in the mush but it all feels dead and a few shreds of charcoal-paper
skin flake off onto the vanity top. Underneath it’s all
bright red and pitted.
I
wonder how long I had my face up against the engine block, because
for real, this looks serious. I grab a box of gauze and tape from
under the sink—it had previously been sliding around the
back of the van before I put the speaker boxes in. My patch job
is pretty bad and the blood and pus starts seeping right through
the bandage so I yell for Robin and head into my room. The bed
is still unmade from the morning and I can see where she had wrapped
the covers around her legs. On my side of the bed sits her walkman
with the cord and headphones neatly wrapped tight around it.
It’s
pretty obvious to me right away that she’s left. Sometimes
you can just walk into a room and see how things are set up and
know exactly what has happened there. Like I could see her, in
that bed for the past three nights alone. While I was asleep in
the van on top of the speakers with my face pressed tight up against
the bass cone, there she was, curled up or maybe stretched out
across my side of the bed, asleep with her headphones blaring.
But I imagine it was probably different recently for her. Maybe
they were wrapped around her wrist, lifeless. Or muffled under
the pillow—the same one that used to be stuffed with wind
up alarm clocks.
Something like tears comes to my eyes, but I can’t tell
if it’s because of her or the pressure of the swelling.
Either way a few big drops slide down my right cheek and get lost
in my mush of melted face.
Pathetic.
I
snap the flimsy plastic headphones in half. She doesn’t
need them anymore, and this whole thing was her addiction to begin
with. It’s like a curse that she wearied of and passed on
to me. And what do I have to show for it?
Well,
I’m alone.
With
half my face melted off. My eye swollen shut.
Bits
of fabric fluttering like streamers from the edges of my wound.
Grease
and oil smeared across my face.
And
holding in my hands the snapped-in-half wishbones of her headphones.
But
for the first time in a long time the house is silent. Robin is
gone with most of her stuff and all I’ve got is quiet and
a basement full of busted up stereos and televisions. They’re
all heaped in a pile at the bottom of the stairs—a growing
junkyard of imperfection and failure.
Still
standing over the unmade bed, squeezing those headphone pieces
between my fingers, it hits me that there’s got to be an
end somewhere, a destination for whatever it is that I’m
doing. I’m taking slow deliberate breaths at this point—measuring
the solution that has come floating up to the surface of my mind.
From deep icy depths, black and bloated, belly up like a dead
fish…
I
wonder if the other senses really do become heightened to make
up for the loss of one.
And
then I just do it. It’s not set up or planned out or anything.
I just have those two busted arms from the headphones clenched
tight in my fists. So I start first with the right one, stabbing
it hard into my ear until it hits something solid. It sticks in
and I feel the pop. The pop I’ve heard other people warn
me about, saying, “Go ahead, keep blasting that shit into
your ears. See what happens.”
This
is the answer.
After
the first few tentative jabs I just start whaling away. There’s
no order or method to it, sometimes left then right and sometimes
both ears at the same time. My head feels cleared out after a
few upward swings and my grip starts slipping on the blood slicked
plastic arms. My aim gets worse as it soaks into the foam earpieces
and runs down my arms. I readjust my grip and keep working and
I guess that makes sense because that’s what this is all
about. Readjusting. Making changes so that you can continue on.
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