THE RIGHT HAND OF THE FATHER

by Carlos Hernandez

AUGUST 2007 #4
   

 

So that is why my the real Ryuu went to enormous trouble and expense to commission the Nakamura Prosthetics Concern to make the robot Ryuu into this arm. They had to work with Clarke to do it; it was their first collaboration; they have started a whole sub-business around that partnership, thanks to my son, who has been repeatedly offered high-paying jobs by both of them. But he refuses them, because he is almost a CFO at Gusto Tequila. The arm does not speak--it has no mouth!--but I can feel it thinking, which is almost as good and sometimes better than words. It obeys my commands, it is an arm first after all, a built-in tool, but if I want to I can let it act on its own. I do that a lot. It is much more interesting than simply commanding it all the time. And now when I do the dishes it feels like I have a helper, even though it is my own arm it is not my arm, there is a different soul in it, and when two souls wash dishes together it is easier and less of a burden.

8.


I had read every word as Mr. Oono dictated. At first I fussed over the arm, wanting to make sure it was up for the task, but the arm didn’t need much of my help: unlike a human, the hand could write from any angle with equal ability, and from its perpendicular position to the notebook it was able to cover a page with words without difficulty. The only thing I did for it was flip pages, and whenever I forgot to it flipped for itself. Its handwriting wasn’t particularly good, but it was better than mine.

I knew he had finished when the prosthetic dropped the pen. That broke the spell; I looked up from the notebook a little dazed, having been suddenly transported out of the story and back into my body. “Now for sake!” Mr. Oono said. His shirt was still off and he did not reattach his arm. He went to the refrigerator and pulled out two small green screw-cap bottles of cold sake, the kind I’d always imagined was only for export and that no actual Japanese drink. He handed them to me and I opened both of them and handed one back to Mr. Oono. After his story, I knew there was no way we’d be drinking from cups--cups would have to be washed later--so I said, “Domo arigato, Mr. Oono. Kampai,” and took a long pull. And he laughed and asked, “Hiya! All the time you speak Japanese?” We both laughed and drank. It was a clean and cucumbery sake, surprisingly good.

Mr. Oono drank his like a champion and did not set his bottle down on the kontastu until he had finished it. “Ah!” he said. And then, touching his stomach, which was as round and wrinkleless as a gorilla’s, he added, “Excuse me please. I must go fill the bathroom.” I almost did a spit-take. He stood lingering for a few seconds, smiling and making sure I had recovered, and then picked up his shirt--but not his arm--and went to use his nagging toilet.

It was almost as if I was on a date with his arm and he, playing the chaperone, had decided to excuse himself to give us lovebirds a few moments alone. I knelt and took a fortifying swig of sake and touched it. The hair felt soft and real, but the skin, again, felt shockingly wrong; it felt like the skin of a sea-mammal who needed a tough and insulated hide to survive in harsh oceans.

Someone began to unlock the front door. Maybe there was to be an interpreter--a human interpreter--after all? A strange rush of guilt made me finish my sake quickly. I put the bottle next to Mr. Oono’s on the kontatsu, but then, worrying that it would leave a ring-stain, moved it to the floor. Then I stood and straightened myself to receive the new guest like someone who was supposed to be there.

Ryuu walked in, the real, soon-to-be-CFO Ryuu. I had no idea he would be coming; I had prepared no questions for him. He was indeed very tall, and had on a suit worth as much as the Blue Book value of my car. When he saw me, he forgot about closing the door and rushed over to me with an extended arm. “You must be Mr. Warbing! It is an honor to meet you sir. I’m Mr. Oono’s son. Please, call me Ryuu.”

For a fleeting, utterly unreasonable moment, I imagined that Mr. Oono had not really gone to the bathroom, but had snuck out a window and transformed himself into his son, that they were one person in the same and that this was his last and greatest trick of the day. The feeling lasted less than two thuds of my heart, but it was real. But then, as I was shaking Ryuu’s right hand, I remembered that the other Ryuu--the one that served as Mr. Oono’s new arm--lay on the kontatsu behind me. This Ryuu’s hand was organic, human, vulnerable in a way Mr. Oono’s would never be again. Of course they weren’t the same person. What a stupid thing to think.

But, just to be sure, as I shook his hand I replied by saying “The pleasure is all mine, Mr. Oono.”

 

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